Aussie YA Book Review: Steal My Sunshine by Emily Gale
My Rating: 5 / 5
Format: Ebook, courtesy of Random House Australia via
NetGalley
Publication Date: 1st May 2013
Category: Young Adult
ISBN: 9781742758497
Imprint: Woolshed Press
Extent: 352 pages
RRP: AU$18.95
Format: Ebook, courtesy of Random House Australia via
NetGalley
Publication Date: 1st May 2013
Category: Young Adult
ISBN: 9781742758497
Imprint: Woolshed Press
Extent: 352 pages
RRP: AU$18.95
The Blurb
“Steal
My Sunshine is a gorgeous read, full of mystery, history, hope and
heartbreak. I was gripped all the way to
the bittersweet end – Simmone Howell, author of Everything Beautiful.
During a Melbourne heatwave, Hannah's family life begins to distort beyond her deepest fears. It's going to take more than a cool change to fix it, but how cna a girl who lives in the shadows take on the task alone?
Feeling powerless and invisible, Hannah seeks refuge in the two anarchists in her life: her wild best friend Chloe and her eccentric grandmother, Essie, who look like they know how life really works.
but Hannah's loyalty to both is tested, first by her attraction to Chloe's older brother, and then by Essie's devastating secret that sheds new light on how the family has lost its way. Even if Hannah doesn't know what to believe in, she'd better start believing in herself.
Combined with Hannah's contemporary story, at the heart of Steal My Sunshine is the revelation of a shameful aspect of Australia's history and how it affected thousands of girls and women - the forced adoptions that saw "wayward girls" and single mothers forced to give up their babies by churches and hospitals. The practice endured for decades, and only now are the numbers and the heart-wrenching stories coming to light."
Summary and Thoughts
It all started over an argument about the
Christmas tree on the last day of the school holidays during a stinking hot
February afternoon in the midst of a Melbourne
heat-wave.
Beginning with Hannah's present day narration, we are introduced to this fifteen-year old girl trying to come to
terms with the inner turmoil that threatens to overwhelm her as she tries to
find her place in the world and her family.
Constantly in Sara’s firing-line, Hannah is at a loss to understand why
the relationship between her mother and older brother, Sam, is so different to
hers; why Sam so blatantly attempts to divert their mother’s attentions from
her; why she is the only one who seems to care so deeply for her grandmother;
and what’s up with her mother and father!
Arriving at Essie's house, we are
introduced to Hannah’s eccentric and agoraphobic grandmother, and unreliable
narrator, as she plays a trick on her unsuspecting grand-daughter and
grand-son, causing a tirade of epic proportions by Sara when she discovers what
has taken place. Afterwards, whilst
making a cup of tea for Essie, Hannah comes across a hidden letter and, after
guiltily reading it, asks Essie about “James”.
The conversation concludes with Essie whispering the promise of a
secret.
Late for an appointment with her best-friend Chloe, Hannah heads off to meet the only friend she has, one who
comes from a broken family, her mother having walked out when she was six-years
old, never to return. Living with her
father and brothers, one of whom Hannah has a crush on, Chloe is mature beyond
her years and believes that Hannah’s life is a fairy tale compared to
hers. Finding herself relating the events
of the day to Chloe, when all she wants to do is tell her about the feelings
she has for Evan, and looking forward to Tuesday night movies with her dad,
Hannah receives a text message from her brother urging her to get home. Arriving at home with a suitcase hindering
her entry and a devastating announcement delivered by her parents, her life is
thrown into further turmoil as the door slams on possibly the only ray of
sunshine in her life.
As we see Hannah dealing with her inner
struggles – the possibility of first love, her social ineptness, Chloe’s
stand-offish attitude towards her and the family drama playing out since her
father’s departure – her chain-smoking, gin-tippling grandmother’s narration
begins at Chloe’s first visit with Hannah, and we are taken on a “disgraced”
fifteen-year old girl’s journey from her wealthy family in fog-filled London,
aboard a ship headed for Australia and an aunt who declares that she is unable
to “save” her, to a convent where she is put to work in the laundry while she
awaits the birth of her baby. As Essie
relates her painful past, a shocking familial relationship is finally defined, shedding
light on Sara’s antipathy towards Essie and perhaps the relationship between
Hannah and her mother.
A shameful part of Australia’s (and many
other countries’) shadowy past is exposed as Essie’s in-laid narrative goes
into vivid detail of the harsh treatment that many young “fallen” and “morally
endangered” women, unsupported by their families, had to endure at the hands of
the Nuns who ran the “Magdalena Laundries/Asylums” as well as the cruelty
behind the victims being denied their fundamental rights to love and care for
their children by being forced to go through the process of adoption, sometimes
with their consent being obtained through forgery or fraud.
These stark revelations of a by-gone era
brought a tear to my eye and resonated strongly with me as it brought to mind
my own mother’s harrowing encounter when I was born to her in the early 1970’s
in South Africa . Seventeen and unmarried, a nurse at the
government hospital where I was born attempted to convince my mom to allow her
(the nurse) to adopt me. My mom in no
uncertain terms informed her that adoption was not an option that had ever been
contemplated, nor would it be considered, and that she had every intention
of taking me home, regardless of her personal circumstances. The
difference between my mother and Essie was that my mother has a very close-knit
family who supported her during her pregnancy and that support would continue with
much love in caring for me – after all, my nursery was already waiting for me
at home, the cot, the pram, the layette, the christening gown, an assortment of
cuddly toys, having already been purchased.
At one of the feeding times when my mom
went to the trolley on which the cribs were brought through, she noted that I
was not in my usual crib. Beginning to
panic, she approached the nurse and informed her that the baby in my crib was
not hers. The nurse merely replied that
perhaps I had been placed in the wrong crib, but what she hadn’t counted on was
the fact that an eternal bond had already been forged between my mother and I at
my birth, at the very moment when I was laid over my mom’s tummy after
delivery, and that while breast-feeding, my mother had memorised every one of
my facial features, every hair on my head, all ten fingers and ten toes, and
even the very smell of me was already deposited into her memory bank. Informing the nurse that she had already
checked all the cribs on the trolley and that I was definitely not there, the realisation
must have dawned that my mother wasn’t just another “ignorant young girl”, but
one who was most intent on taking her baby home, because she promptly went into
the nursery and brought me back in her arms saying that perhaps one of the
nursery staff had been working with me and forgotten to put me in the crib for
feeding time!
However, the difference is that Essie did
not have the support of a family, one which had abandoned her, and nor was she allowed
to bond with her baby after the birth. Even
after she is reunited with her baby and runs away, she is ambivalent about this
motherhood thing. Her story broke my heart,
but behind that story is another – one which will have you questioning how
often these things happened, long after the last page is turned.
I really enjoyed this novel and found the
split narrative and Emily Gale's frequent use of evocative analogies and metaphors – “I was a kid with a balloon and I’d handed
it to the wrong person to hold on to.
Now it was floating up to the sky and out of sight” - worked well in
conveying Hannah’s inner teenage angst in a real and effective manner. When she finds herself in a situation where
under-age sex is imminent, for a fifteen-year old, she deals with it in quite a
mature manner and makes a sound moral choice and, while Essie’s deeper story
touches briefly on issues of infidelity, incest – “It was me and Dad. Unholy is
why” - and lesbianism, it was the broader themes of “forced adoption” and
society’s attitude towards women in the 1950’s to 1970’s resulting in the
tragic consequences of a decision which should have been hers to make, which enraged
me.
Steal My Sunshine is a lovely YA novel with a good moral
message behind Hannah’s story. Seen
through the eyes of a teenage girl whose greatest desire is to belong and be
loved, it is also an aching examination of one woman’s shameful deception and
painful re-living of a time she would rather forget and another woman’s
inability to forgive past transgressions and, in light of the recent historic
national apology given by Australian Prime Minister, Julia Gillard, to
thousands of mothers who were forced to give up their babies by enduring these
cruel and sometimes illegal approaches by governments, churches and hospitals,
it is a timely novel about the oft-called “White Stolen Generation” – one which
will strike a chord with many present day Australians.
This is a novel which I feel crosses over between genres and will appeal to a broad range of readers from 15+ through to adults.
I wish to thank Random House and NetGalley for providing me with an e-copy of this novel.
A Little About the Author (taken from Random House's website)
Emily Gale was born in London and worked as a children's book editor for several years before going freelance. She is the author of several pre-school books and a YA novel Girl Aloud, which has been published in the UK, Germany and the US, where it is called Girl Out Loud. It was shortlisted for a regional UK
award and described by Jaclyn Moriarty as “powerful, funny, wise and true”.
In 2008, Emily and her Australian-born partner moved to Melbourne with their two children. She has since
worked on the Authors for Queensland charity auction, which raised over $20,000
for flood victims, and discovered new voices in children’s and YA for a
literary agent. She is now a children’s
book buyer and bookseller at Readings .
Steal My Sunshine is Emily's first novel with an Australian setting.
And another towards the 2013 Australian Women Writers Challenge.
And another towards the 2013 Australian Women Writers Challenge.
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